In a biblical episode, Judith beheads Holofernes, an Assyrian general, with the help of her maid and this scene is immortalized in several paintings throughout history.

Based on this theme, I present in Your head in my hand, boy a reworking of the formats traditionally used for making structures that work as flags or banners handled in various popular manifestations. Having Holofernes’ head in his hands proposes a reflection beyond the head of that individual itself, but what the head of a man cut off by a woman, who in doing so saved an entire people, represents in a society in which every two hours a woman is murdered in hate crimes motivated by gender.